Thursday, January 29, 2009
Computer Recycling
Sunday, January 25, 2009
Intellectual Property - Creativity
Now, the American law also allows pieces of creative works to be used by others as long as the work is cited or the tribute is contributed. Lessig presents "quoting" as a way of payment to the originator. As a student, I benefit from this allowance when writing research papers about topics only experts like Doctors of Philosophy have researched. Do I profit monetarily from this use? No. I do benefit but I do not profit monetarily. It is obvious that companies and profit seeking entities find problems with these 'quoting' issues when profits are being earned. GirlTalk, for example, is an artist that has made money from "quoting" musical artists in order to create new musical products.
If I am to support GirlTalk's position I would use the concept developed by Locke. Locke presented the idea that if value is added to something then improvement has been made and the new property that has been created is owned by the creator. This concept can be applied here. Many listeners are downloading GirlTalk's musical product which proves he has added value and made an improvement to something thus he deserves the monetary profits. Creativity in any form is owned by the creator thus GirlTalk should wreak the benefits.
Intellectual Property and Music
The article entitled “The Problem With Music” by Steve Albini offers a very negative view of the music recording industry from a band’s aspect. Albini is under the impression that new bands are exploited and taken of advantage of in regards to contracts and money, but the simple fact is that every industry employs this strategy and he thinks that the music industry is the only industry that falters because of his specific knowledge of this field. Albini starts the article out by explaining how hard new bands have to work to succeed and how they supposedly have to subject themselves to unpleasant and unfair tasks, but this is a very close minded view of reality. When people break into any field it is very hard to receive recognition and thrive, that is just how American culture works. People are emotional and jealous and the majority of them love to see others fail, whether it’s just to see them fail or for their individual advancement. Some of the arguments Albini makes are completely valid, but at the same point stardom is not an easy thing to achieve and thus bands knowingly subject themselves to this type of treatment by entering the music industry. Record labels earn enormous amounts of money and because it is a business they have no incentive to be accommodating or generous to their clients, they just have to keep them satisfied so that the revenue streams continue. If the music industry has no incentive or mandate to lessen their exploitation of clients, then this trend will continue because money talks and there is much to be made in the current system. That being said, a successful band makes more money than they could spend in multiple lifetimes so they are very capable of beating the system if they are good enough and wise enough to endure a rough rise to fame.